Spielberg's foray in the 'machine gets self-aware' subgenre is by and large a plainclothes affair, which was sadly quite against Ringwood's wishes - his own idea according
to the 'Dressing A.I.' featurette was to make it more 'fashionable and catwalky' but Spielberg pushed back, not wishing for it to 'date' or whatever. According to the same interview, Ringwood said he tried out outfits on the character of Monica (Ashley Scott), which I assume include
this rather nice patterned shirt. I assume the same applied to the rest of the cast and extras, meaning that Ringwood's design talents were mostly relegated to Jude Law in his turn as the 'Gigolo Joe' prostitute android, who wears a shiny black coat made of fishing line woven as satin that looked like 'liquid metal', to make the character look like a 'romantic hero'. He actually has two shirts (made of a synthetic material), one in white, the other in a shiny purple.
Also very briefly seen is the 'Gigolo Jane' counterpart, who wears a shiny purple catsuit with lining over the chest - this is only seen in the film for maybe less than ten seconds.
The only other notable costumes in the film are seen in the 'Flesh Fair' segment, with the first being the 'Biker Hounds' motorcyclist outfits that are fitted with demonic looking helmets and lights - though infuriatingly hard to make out thanks to being shot at night! It seems only the helmets and armor was made, with the rest of the costume presumably being off-the-rack motorbike jumpsuits.
The Flesh Fair segment also has a cameo from the band Ministry, whose lead singer wears this chrome skeleton outfit that again, is barely seen on-screen, as is the outfit worn by the announcer -
judging by this music video (that is in absolutely horrendous picture quality), the announcers outfit was made of a reflective material that would allow parts of it to 'glow' in the studio lights!
