Showing posts with label 1986. Show all posts
Showing posts with label 1986. Show all posts

Sunday 5 February 2023

Solarbabies (1986)

Costume Design by Bob Ringwood

An oddball that was pretty much 'Mad Max for kids', with a couple more outright scifi touches such as laser guns and whatnot in the hope to make a smash like Star Wars I assume, which would also explain other odd touches in this film such as mystical entites and so on. Set in a fascist state, the Eco Protectorate that has arisen thanks to ecological collapse (I think...it's not the most thought-out plot), the story focused on the titular 'Solarbabies', orphans in one of the regime's many orphanages. The Solarbabies wear the film's most iconic fits (thanks to being on all the promotional photos), which consist of futuristic padded sports armor covered in blue, red and pink spraypaint in different patterns.
Their enemies the Scorpions wear more intimidating, gunmetal-coloured armor with masked helmets.
Of course, being a post-apocalypse film made in the aftermath of Mad Max 2, there are the inevitable wasteland weirdos who sport tatty attire inspired by biker culture, punk fashion and sport armor - the bounty hunter Malice (Alexei Sayle) wears a cowboy hat and leather jacket adorned with ratty furs on the shoulders, and many of the denizens of 'Tyretown' (totally unrelated to Mad Max Beyond Thunderdome's Bartertown, I'm sure!) are in typical ratty posta-apocalypse garb. Tyretown's guards are interesting in that they feel like a precedent for Ringwood's cut-up tire armor designs for Demolition Man a few years later, as they sport armor that is similarly made up of torn up rubber tyres!
One aspect of the film that has especially aged badly is a Native American tribe (that, of course is linked to magic mumbo-jumbo, because New Age nonsense) that is all played by white actors, though their outfits seem to be made up of cut-up patterned fabrics that have been arranged into either very revealing tops, such as the fit sported by Ivor (Terence Mann) or cloaks.
It's not the only ethnic group that white people are getting to cosplay as in the apocalypse, as the 'Eco Warriors' - the rebel group that the fascist villains have been trying to exterminate - sport attire that seems possibly inspired a bit by Bedouin garb as well, though with baggy sleeves, deep collars and patterned lining and large panels over the waist. The Eco Warrior costumes feel a bit similar in design to the Fremen outfits Ringwood had designed for David Lynch's Dune a few years earlier, which fits as that was also about white people cosplaying as Middle Eastern peoples. I do quite like the fits, though!
As said earlier, the film leans a bit more into the futuristic aspects than most post-apocalypse films, and as such, there are some slightly futuristic fashions such as this beige jacket worn by an orphanage teacher, that sadly is barely seen on-screen like so many of the outfits here. The orphanage's guards wear odd looking jumpsuits with lighter yellow mesh patches, worn with caps.
There is also this futuristic suit worn by the evil scientist Shandray (Sarah Douglas), that in some ways is a rehash of Ringwood's design for Lady Jessica's dress in Dune a few years earlier, especially with the ridged shoulders.
The uniforms of the 'E-Police' serving the nebulous fascist regime wear predominatly blue leather, with the commander Grock (Richard Jordan) wearing a blue leather uniform with ribbed panelling over the shoulders and cuffs. The soldiers under him wear motorcycle outfits that have been altered with extra panelling - you can see the greeblies stuck on what are obviously bought motorbike helmets!

Friday 6 January 2023

Pirates (1986)

Costume Design by: - Anthony Powell ( notable efforts: The Royal Hunt of the Sun (1969), Travels with My Aunt (1972), Papillon (1973), Sorcerer (1977), Death on the Nile (1978), Tess (1979), Evil Under the Sun (1982), Indiana Jones & the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), Hook (1991), 101 Dalmatians (1996), 102 Dalmatians (2000) )

The most visually interesting aspect of this pirate adventure flop are the costumes, some of which are so detailed and pretty they stand out amidst the grodiness of the film's general design sense - just look at how much golden material is adorning the various seafarers jackets, with even some of the less important characters having colourful patterns on their vests. I actually wonder if Powell didn't get hired as costume designer for Hook a few years later thanks to his work on this film, as seen in the lovely red coat with golden trim, worn by Captain Red (Walter Matthau) - the various pirates under his command wear a variety of colourful patterned vests, though the grimy and claustrophobic style of the film doesn't let the viewer see them properly.
The Spanish navy forces are led by the devious Don Alfonso de Salamanca de la Torre (Damien Thomas), whose uniform is similar to Captain Red's, but black with silver trim, until his official captain's uniform which has beautiful golden trim instead.
Of course, the royal ship is carrying members of the Spanish royalty, one passenger being the aristocrat María-Dolores de la Jenya de la Calde (Charlotte Lewis), who sports some of the most pretty dresses in the film (probably sticking out better thanks to just how mucky the film looks). She is first seen wearing this white and black dress, with a rose-shaped crest over the front.
María-Dolores also has a personal maid, whose dress is then worn by the pirate Boomako (Olu Jacobs), the dress being a frilly black design with jewels worn over the collar.
Charlotte Lewis' next dress in the film is this red and black striped deal, worn with a shiny hooded cloak and again with the flower crest on the chest, though of a slightly different design.
The most spectacular dresses are however barely seen in the film itself, and only at the end anyway! Just look at this golden coloured dress with striped sleeves and lace around the collar. Again, apologies for the stock photos with ugly watermarks.
Other women's dresses in the film follow this design, such as some of the prostitutes in the ship, such as the black dress worn by the queen, which also looks to be a very eye-catching design, but doesn't even get the dignity of publicity photos to show it off better.