Sunday 31 January 2021

Battlestar Galactica (1978) & Galactica 1980 (1980)

Costume Design by Jean-Pierre Dorléac with costume illustrator Haleen Holt

The saga of a fleet of humans escaping the destruction of their home planets to return back to Earth, and now overshadowed by its pretentious maudlin remake, Battlestar Galactica was an idea producer Glen A. Larson had had since the 1960s, but didn't manage to successfully produce until the success of Star Wars, which was definitely an influence on certain aspects of the series, such as masked mechnical villains and space dogfights.

It should be worth noting that the Cylons are not included in this entry due to being in the realm of special effects, as specialty prop makers were hired to realize them, and the Cylons were based on sketches by the various production artists, in particular Andrew Probert; Dorleac claims that only he designed the Cylons but this is disproven by the (as of now, offline) Galactica.TV interview with his costume assistant/illustrator Haleen Holt, who helped design the various costumes.

The series was ostensibly a military science-fiction tale and as such involved uniforms, these of the 'Colonial Warriors' that formerly protected the Twelve Colonies. The standard uniform of the Colonial's military is a beige tunic and pants, with checkered black and gold lining around circular collar piece, with some officers sporting a golden piece on the front of the collar itself. The jacket was copied from a design by legendary comics artist Philippe Druillet for Lone Sloane, a comic series published in Metal Hurlant, though Dorleac claims he originally 'sold the design to a magazine' (something that never happens with comics, by the way) that he suspiciously never names in any interviews, and regularly has slandered the Galactica.TV fansite writer in these interviews as well. Why refuse to name the 'magazine' - because yeah, highly doubtful that Druillet of all people would need help with designing for his own comics!

The tunic under the jacket has no visible buttons, and the front flap is a horizontally ridged fabric - the uniform, is completed with black boots and a belt. Being a space opera produced in the wake of Star Wars, there are of course various space dogfights against the marauding Cylons, with these dogfights often involving the characters of Captain Apollo (Richard Hatch), Lt. Starbuck (Dirk Benedict) and Lt. Boomer (Herb Jefferson Jr.). These characters, and others in the series, for pilot duty wear the same uniform as the other Colonial Warriors, but with a brown jacket, helmet and different boots. The helmets are especially striking, being inspired by ancient Egyptian headdresses, with the helmets lined with lighting around the front. The jackets are fastened with buckles, and have asymetrical lining around the sides.
In some episodes the various pilots partake in celebrations, and for these they wear a gold-lined (the same sort of lining as around the collars of the tunic) brown cape over their tunics, as well as dangling golden plates on the front of the collar piece.
The Colonial Warriors' officers are in uniforms of identical cut to the standard uniforms, except that they are made of a dark blue fabric instead of beige, with silver checkered lining instead of gold. The uniforms are pretty much identical otherwise (with even parade uniforms being the same sort of cape and dangling chest ornaments), with the exception of Commander Adama (Lorne Greene), who are various points wears a silver-lined blue robe over his tunic, and for special occassions wears a blue cape over that in turn - but sadly, the parade dresses of all the officers are not seen in full, with only promotional images showing them better.
The Colonial Warrior's medics wear smocks of a similar cut to the main uniforms, with the same strip of material around the collars; the women of course have their smocks go down to the ankles.

'Saga of a Star World'

This was the pilot movie that started off the series, with the Cylons attacking the Twelve Colonies and causing the surviving humans to flee in the ragtag fleet led by the 'Galactica'. The fleet ends up encountering the planet Carillon, which is home to a casino (itself actually a front for the Ovions, an insect-like species allied with the Cylons), the various patrons of which are clad in some of the most stunning outfits of the film - special mention to the croupier whose pink and black glittery outfit is sadly never seen in full.
The casino also has a performance from alien singers clad in shiny raindbow striped dresses, which also end in streaming pieces at the skirt section, and worn with glittery necklaces - the outfits are really nice, but ain't the facial prosthetics uncanny!
The Cylons were aided in their attack by the traitorous Count Baltar (John Colicos), who would become the series main antagonist, and appear in multiple episodes to menace the main cast. While 'Saga of a Star World' introduced him wearing just a white gown, all episodes afterwards would have him in a much more striking outfit consisting of an almost medieval looking black-lined green tunic, worn with gloves and brown boots - in some episodes, Baltar wears a gold-lined green cape over it, and during his attack in 'The Living Legend' he wears a shiny golden helmet, designed to resemble the Cylons' own helmets, which themselves resembled the helmets worn by the warriors of ancient Greece. Whilst the Cylon helmets had the sliding light 'eye', Baltar's helmet has a light in the middle of the forehead.
Assisting Baltar in various episodes is the Cylon commander Lucifer (subtle name!) who in his first few appearances wears a shiny golden robe. Technically, Lucifer's very head is part of the costume as well, being a model one fitted on top of the actors actual head, instead of being a mask.
Lucifer's next outfit, worn for the remainder of the series, is the same in design to his previous robe but red in colour, with an open collar fitted on it later on.

'Lost Planet of the Gods'

This episode involves the Galactica drafting up new pilots, all women, who are seen wearing tight pressure suits, these being beige coloured with bold black lines printed on the front.
Serina (Jane Seymour) is one of these pilots, and later in the episode marries Apollo, during which she sports a shiny silvery wedding dress, with glittery pieces worn behind her hair with her headress.

'The Lost Warrior'

This episode was a total pastiche of the classic Western Shane , with most of the cast wearing reused Western wardrobe; the exception are the guards under the employ of Lacerta (Claude Earl Jones). Lacerta himself is just in a white suit, but the guards wear shiny vinyl cavalry shirts and glittery silver vests, trousers and cowboy hats!

'The Long Patrol'

This episode starts off with Starbuck doing a deal with a waiter in order to get into the Galactica's dining room, which is staffed by a waiter in a very crisp pinstriped tunic, which also has a rounded collar piece similar to the Colonial Warrior uniforms.
Part of this deal involves Starbuck becoming a test pilot for an experimental starfighter, for which he dons a new uniform - this is a very crisp one, consisting of a plum tunic (again, with rounded collar) and pants, with matching gloves and boots, and worn with a rounded golden helmet which sadly doesn't get seen too well thanks to the darkened pilot cockpit scenes.
Starbuck ends up being apprehended by the 'Enforcer' police force of a forgotten prison colony, whose officers are all clad in crisp white and black uniforms. The tunics have a fairly rounded cut with a diagonal black pattern on the chest, as well as a curved cut to the tunic. These uniforms aren't seen to well in the dim lighting but one of the costumes still exists, and in auction photos (as uploaded on the ByYourCommand fansite) can be seen much more clearly. A similar jacket is worn by 'Robber' (James Whitmore Jr.) but his has solid black sleeves and a stiff cut, and in all his scenes he's wearing a drab brown jacket covering it up.

'The Gun on Ice Planet Zero'

This episode involved the misguided Dr. Ravashol (Dan O'Herlihy), who wears a quilted blue nehru jacket with dark blue lining down the middle.

'The Magnificent Warriors'

This episode was another Western pastiche with a similar plot to The Magnificent Seven, set on the rural planet Sectar whose settlements are being raided by the pig-like Borays. The Borays wear brown and grey shirts and trousers with fringed edges to the sides and sleeves, with angular collars as well.
The Borays are raiding the settlement of 'Serenity', run by Bogan (Barry Nelson) who wears a vaguely 18th century feeling coat and waistcoat (right down to the cravat), worn with a brimmed hat.
His assistant Dipper (Eric Server) wears a tan jacket with split sleeves connected by straps, with hoops over the chest as well, worn with a round hat. The unlucky sheriff Farnes (Rance Howard) is dressed similarly.
The Galactica crew end up on Sectar and have to dress themselves as the locals, with Adama wearing a large shouldered grey coat.
In this episode Adam is trying to court Siress Belloby (Brett Somers), who wears a veiled lilac dress with ribbed panelling on the shoulders.
The rest of the crew wear a variety of jackets and vests, with Starbuck wearing a grey jacket with short curved lapels, Boomer wearing a mottled fabric vest, and Apollo wearing a brown-lined quilted white vest.

'The Young Lords'

This episode involved Starbuck crashing on a more primitive planet, where a Cylon patrol is being hassled by the young warrior Kyle (Charles Bloom), who is dressed in rather 'barbarian' gear, consisting of a feathered cape and a carved helmet fixed with two large feathers on each side.
Commanding the Cylon operation on the planet is the commander Specter, who sports a similar robe to Lucifers, the exception being his is in a wonderful striped red and gold colourscheme, with even the collar having stripes!

'The Living Legend'

This two part episode involved a daring attack on the Cylons base on the planet Gamoray, with Apollo and company all dressed up for the mission in rather slinky leather catsuits, with buckled collars and boots.
Staffing the Cylons are some more commanders, these being in glittery silver and black versions of the collared robes worn by Lucifer and Specter.
There are also several Cylon workers who are in shiny blue-lined golden hooded cloaks, made of a synthetic material - the robotic 'head' is evidently a mask as well.

'Fire in Space'

This particular episode involved, well, a fire breaking out aboard the Galactica, with several of the cast trapped inside. To stop the fire, the Galactica's contingent of firefighters is called in, clad in very striking futuristic uniforms, consisting of glittery orange and silver lined jackets, with the sleeves cut in a serrated fashion, and worn with silver helmets. These are perhaps some of my favorite designs of the series costumes, personally!
To help stop the fire, Apollo and Starbuck do repairs on the outfits of the ship, meaning they have to wear spacesuits - these spacesuits are form-fitting jumpsuits of the same colour scheme as the typical uniforms, with tan tubing around the shoulders and collar, and worn with a bulky plastic helmet, with a flashing piece worn around the knee, sadly never seen in full. These spacesuits would be tweaked and reused for the Galactica 1980 episode 'Space Croppers'.

In this episode Boxey (Noah Hathaway) wears this dark blue jumpsuit with a lighter triangular panel over the chest, with stripes down the trousers.

'War of the Gods'

This episode introduced one of the most infamous outfits of the series - the skimpy 'Triad' sport outfits, consisting of a top with straps over it, briefs (fixed with tubed piping), thigh high boots and bike helmets. These outfits were especially infamous for being a source of mild embarrassment to the actors who had to wear them, which was a source of great amusement for the women members of the cast and crew! Out of the four auction images used, two have black lycra underneath the skimpy suits, and the second image has the top back to front it seems.
This episode introduces the mysterious Count Iblis (Patrick Macnee), who sports an outfit consisting of a golden lined white tunic and cape, the tunic fitted with a circular collar like the Colonial Warrior uniforms, but with golden lining around it, as well as the cape having a pointed collar. The tunic also has a belt around which is also golden lining, and a badge in the middle, with a similar one worn on the collar.
When Iblis' evil nature is revealed during the final confrontation with Apollo and pals, he reverts to a demonic form which in the episode is overload with a negative effect - editing the images, plus behind the scenes photos, reveal that a recoloured version of Iblis' outfit was used for this scene, with the white now black, though still adorned with golden lining.
Opposing Iblis are the angelic Beings of Light, who are seen wearing glittery white veiled robes; as if the religious allegories weren't subtle enough!
At the end of the episode, Sheba (Anne Lockhart) wears this lovely shiny dress that sadly is only seen in shoulder view in its brief appearance.

'The Man with Nine Lives'

This episode featured Starbuck's father, the conman Chameleon (Fred Astaire), who is a rather striking outfit made up of a white jacket with a golden chain in the middle and  striped blue top section, worn with a blue cravat and golden necklac, and worn completed with grey trousers and black boots.
Chameleon is first seen courting the wealthy Blassie (Anne Jeffreys), who is wearing a glittery golden dress with a large pointed collar and long cuff sleeves. The vicious 'No Men' hounding Chamoleon however, are just in trampy rags and therefore not really worth covering at all.
There are several gambling dens inside the fleets various ships, these beign staffed by croupiers in glittery golden outfits, with piping around the collar, as well as arranged in a 'V' shape down the front - the outfit also has an emblem on the front, and has strips down the side. One of these golden croupier outfits was worn again in the Quantum Leap episode 'Future Boy' by a background character in the titular serial.
Less flashily dressed are the 'Nomen' warrior tribe hunting after Chameleon, who wear simple vests (made of a faint lattice pattern) and robes, the conical helmets being the most striking part of their attire.

'Murder on the Rising Star'

This episode involves Starbuck being framed for a murder in the aftermath of a heated sports match, and his prosecution is headed by Solon (Brock Peters), who wears a blue-lined grey tunic that is fixed with a circiular piece around the collar (similar designed to the uniforms of the Colonal Warriors), and wears a short cape over the tunic that is cut in a similar way to Adama's cape.
The actual murderer however is Karibdis (Lyman Ward), a former accomplice of Baltar's disguised as a civilian, and clad in a relatively not eye-catching outfit consisting of a white-lined brown tunic and trousers, the tunic's collar fastened with a buckle-like piece - various otherbackground extras in the series wear similar tunics of different colours, but most are just in more simple ones such as the other two fellows next to Karibdis.
A silver outfit is worn in the episode 'Murder on the Rising Star', by a sports referee present at another futuristic 'Triad' match; sadly there is no other shots of this costume in the episode, nor can I find any other photos of it online from auctions.
There are also commentators present at the Triad match, with the first refereer wearing a brown jacket with white checkered lining around the collar and chest. Sadly, there are barely any good shots of the costume in the episode itself.
Another commentator is seen, with her outfit being the same colour scheme as the previous one but with the lining on the lapels; again, barely seen in the episode itself.

'Greetings from Earth'

This episode involved the Galactic coming across a human sleeper ship, whose occupants are all in identical silver jumpsuits, with white bands on the arms and belts.
They also have a pair of robotic servants, Vector and Hector, who wear brown pinstriped wraparound overalls, as well as helmets to make them look 'robotic'.

'Baltar's Escape'

A communications officer is briefly seen, wearing a grey tunic with a curved collar like other Colonial outfits in the series.
There is also Siress Tinia (Ina Balin), who wears a lilac ruffled dress with a small bit of jewellery under the collar.

'Experiment in Terra'

This episode involved the Galactica gang ending up on the Eastern Alliance's home, the Earth-like planet Terra, whose denizens are almost identical to 20th-century humans other than their more futuristic technology - even the fashions on Terra are not that different, with most of Terra's denizens being in fashions that wouldn't be too amiss at the time, such as Brenda (Melody Anderson) and her rough beige shirt and skirt, worn with a short tie too.
Terra is ruled by its president, Arends (Peter D. MacLean), who is clad in a rather fancy orange and beige suit, designed in a way that feels both contemporary yet also futuristic.
His deputy wears a dark brown suit that is otherwise identical in design, worn over a green jumper with beige lines on the collar.

'Take the Celestra'

In this episode, mutiny erupts as several crewmen attempt to steal one of the fleet's ships - most of these crewmen sport silvery jumpsuits with rounded padded vests over the shoulders. These all-silver jumpsuits were bespoke made for the series, as opposed to the black and silver jumpsuits of the other crewmen which were reused from the original Outer Limit series!
The mutineers don stolen security uniforms consisting of grey trousters and buttonless vests worn over black lycra tops, more futuristic in design than the typical Colonial security uniforms in the series.

Galactica 1980

This would not be the end of the journey of the Galatica's crew, as there would be the very infamous follow-up series, partly reviled due to its increased emphasis on comedy and family-friendly hijinks, as well as being almost entirely set on then-present day Earth (hence the name!). Galactica 1980 didn't have much more in the way of futuristic costume designs, again thanks to the mundane contemporary setting (so there wasn't really much in the way of notable contemporary fashions either) Once again Jean-Pierre Dorléac was costume designer, just like in the first series. IMDB credits Al Lehman (who designed the costumes for most of the Buck Rogers in the 25th Century series) as having also worked on the series, this is actually an error (you can't really trust IMDB all the time can you) - whilst Lehman did indeed design for the show, none of his designs were ever actually used - supposedly Lehman had designed a new uniform for the Colonial Warriors, but producer Glen A Larson hated the uniforms so much, he didn't just have them never filmed, but never let them leave stock! As such, all the costumes in Galactica 1980 were the work of Dorleac.

Almost all of the futuristic costumes of this series would be reused from the original series with the only addition being new helmets for the pilots in some episodes; these new helmets are much more streamlined compared to the originals.
There was also some new helmets made for the spacesuits in the episode 'Space Croppers'.
One of the few new costumes was the white tunic worn by the child prodigy Dr. Zee (played both by James Patrick Stuart and Robbie Rist), the tunic having the same curved collar as most of the other costumes of the series.
The very last episode of the series, 'The Return of Starbuck', features Dr. Zee's mother, the mysterious Angela (Judith Chapman), who sports a flowing white dress with glittery threads around the chest, worn with a beaded necklace and headpiece - this lovely costume almost got Dorleac nominated for an Emmy award for costume design! This costume would also be reused in the Empire Pictures movie The Dungeonmaster (aka Ragewar) a few years later.
The most notable original outfit designed for the series however is in the two-parter episode 'The Night the Cylons Landed', where we see a pair of humanoid-model Cylons (a plot point that the 2004 reboot would use liberally), including the pilot Andromus (Roger Davis), who is clad in a slick uniform consisting of grey lined tights, worn with a silvery tunic fixed with a meshy fabric underneath (which shows in two holes on the arms), and two metallic pieces on the shoulders - this is completed by an almost medieval-like conical helmet which is worn when piloting their fighter ship.
Almost all non-screenshot images on this page are originally from the By Your Command Battlestar Galactica fansite's gallery page on Galactica 1980, as well as their gallery page on the original Battlestar Galactica, hopefully they will not mind.

Saturday 30 January 2021

Buck Rogers in the 25th Century (1979)

Costume Design by Jean-Pierre Dorléac

A very 1970s update of the 1930s space opera, Buck Rogers in the 25th Century was produced by Glen A. Larson almost straight after he had realized Battlestar Galactica, and like that previous series, opened with a pilot movie. For context, this entry is only about the original pilot movie, and the series' costumes will be covered in a pair of follow-up posts.

The good guys are the 'Earth Defense Directorate' protecting the planet from intergalactic threats, with the titular William 'Buck' Rogers (Gil Gerard) and female lead Wilma Deering (Erin Gray) among their ranks - their spandex uniforms are worn with white boots, a popped collar and lining around the chest. It is worn with an armband of the Directorate's rainbow insignia, designed by production artist William Stout. The uniform is sometimes worn with a sleek futuristic helmet. The uniforms were phased out in the follow-up series due to Gerard putting on weight.

The Defense Directorate is led by Dr Elias Huer (Tim O'Connor), who is distinguished by wearing a ridged white jacket, with a similar collar design, worn over the same spandex pants and boots worn by the other members of the Directorate - like the standard uniform, this would also be worn in a few episodes of the subsequent television series, before being replaced with new costumes.
The cast take part in a very, very 1970s 'futuristic' dance party sequence; the Directorate officers attending wear a dress uniform consisting of a buttoned jacket worn over their spandex pants; the pants are worn with leather boots, and a red sash is worn around the waist. Huer's jacket is cut to be more like a coat.
The women dancers in the party are dressed in differently coloured versions of the same general design, which like the Directorate dress uniforms combines the past with futuristic flourishes, as the dresses all have large collars and sleeves fixed with streaming ribbon strips, whilst being worn with a rounded hat also fixed with ribbons.
Opposing Earth is the Draconian Empire, whose royal princess Ardala (Pamela Hensley) happens to be clad in some of the film's most lavish outfits - Ardala is first seen in a reddish nightgown whose cuffs and collar have been fixed with a shiny black material, worn with a beautiful black crown-like headpiece consisting of dangling black jewellery.
Ardala's second outfit is sadly not seen fully in the film; a gold-lined black kimono-like robe, with additional golden markings all over. The robe is worn with the same crown-like headpiece as the red nightgown, as well as a black choker fixed with a jewel.
Another outfit of Ardala's that sadly does not get much screentime is this rather revealing purple and silver dress, which is worn with a massive collar that itself has been adorned with jewel-like pieces, and is worn with a very ornate (and rather abstract) headdress that has purple gems hanging down from the front.
The last of Ardala's outfits consists of a white and gold bikini and pants. The pants are fixed with necklace-like jewellery going down to the feet, and the biking is worn with a fur-lined cape and horned headdress. The headdress's horns (themselves adorned with hanging jewellery) are coated in golden lining, and attached to a golden wig with fur around the sides of the horns. Also note the collar of Ardala's dress, designed to resemble a flower.
Ardala also has handmaidens attending to her, all of them wearing golden headdresses and midriff-baring short tops with white skirts.
Ardala's father, King Draco (Joseph Wiseman), is only barely seen in the theatrical cut, wearing a golden tunic worn with a large fur coat, and a crown consisting of glass-like plates, that is similar in design to the headdress worn by Ardala with her third dress. Unfortunately, this does feel racist, and I worry that 'yellowface' makeup may have been applied to Wiseman for the role.
Helping Ardala is her surly aide, Kane (Henry Silva), first seen in a relatively simple mottled black tunic, worn with a large belt and with golden pieces fitted on the collars. The tunic is worn with black trousers and boots.
Kane's second outfit is of the same cut but made out of a gold patterned material, worn with the same belt and trousers - this outfit in particular was altered by costume designer Al Lehman in the follow-up series, adding black piping to the shoulders and collar. This tunic is worn with the same trousers and boots as the earlier design.
Ardala's bodyguard is the Tigerman (Duke Butler) who wears a vest and pants both coated in imitation tiger fur (according to auction listings for the costume), worn with a necklace consisting of metal pieces and bones, and a red sash. His trousers have golden kneepads, and he is wearing pointed shoes slightly reminiscent of 'crakow' shoes.
These same shoes are worn by other Draconian minions, such as the briefly seen technicians who wear burgundy tunics emblazoned with an emblem on the chest.
The Draconian Empire's soldiers wear futuristic spins on samurai armor, with the helmets fitted with goggles and golden chest armor; the large waistband was not worn in the TV series, and is only seen better thanks to costume auction photos.