The Apple (1980)

Costume Design by:

- Ingrid Zoré ( notable efforts: Zwei blaue Vergissmeinnicht (1963), Angels of Terror (1971), Just a Gigolo (1978), Possession (1981) )

Costume Design Genre: Futuristic

Menahem Golan's decade-late tribute to hippies and disco, The Apple is still remembered (and by boring critics, reviled) mostly for being a cavalcade of glittering kitsch, especially evident with the gaudy and almost space-age influenced costumes worn by the films cast! A rock musical version of a future dystopia set in the far-flung year of 1994(!), the film's costumes were designed by Ingrid Zore, and whilst the film shows its year of origin very clearly, it is rather funny how some of the getups in the film actually predicted how gaudy the actual early 1990s would be in terms of fashion!

Being a musical, the film's costumes are mostly divided by which song they're being worn in, with the first song, 'BIM' involving its two singers, Dandi (Allan Love) and Pandi (Grace Kennedy) in two glittering white and gold outfits, Dandi's outfit especially having a futuristic design sense with the helmet, but both are firmly entrenched in disco!

This sort of futuristic influence (which to be fair, considering how many recent science-fiction series at the time had costumes inspired by disco, such as Buck Rogers in the 25th Century, this is just 'turnabout is fair play') can be seen further in the costumes worn by the backup singers and dancers, the latter all having the sort of domed caps that were seen plenty in the 1980s Flash Gordon movie.

This is followed by the introduction of the film's villains, the evil music producer Boogalow (Vladek Sheybal) and his assistant Shake (Ray Shell) - who are basically Satan and the Serpent of the Garden of Eden, respectively, This association is carried over to their costumes, as Boogalow is first seen in a dark red suit with large pointed lapels, and Shake is in a silvery suit with makeup and two coloured jewel-like pieces on his teeth (uncomfortable!). Boogalow's pointed suit motif is seen on the suits of other characters, with his marketing officer in a glittery blue and silver suit, and his other underlings in more simple suits but with large pointed lapels and collars.

When Bibi (Catherine Mary Stewart) and Alphie (George Gilmour) are about to get signed under Boogalow's contract, Boogalow is another suit of a grey and black pattern, and Shake in another glittery grey suit with striped tubingon the shoulders and collar. Their chief marketer is in a red felt jumpsuit with grey tubing - the most 'future' design of the movie. After this, there is of course another song with the dancers being in glittery silver dresses and headpieces, feeling a bit 1920s in a way!

The signing scene is immediately followed by a song set in Hell where Boogalow wears a rather cliched Dracula outfit, and Shake is naked other than with bodypaint, chains and a snake-shaped headpiece - the real highlight of this song is Pandi who is in a glittering silver dress designed to resemble, presumably, the 'Whore of Babylon' (that will be relevant later...). Meanwhile Dandi is in nothing but a glittery thong, whilst Bibi is in a glittery pink dress.

When Bibi is hired, she joins Dandi and Pandi as a singer for the 'BIM' franchise, and sports a silvery singer's dress for her 'Speed!' song - one of only many songs the film has. There are myriads of other silvery outfits worn in the film, but due to the film's direction are barely seen properly, though really they all tend to be the same sort of design - large shoulders, collars and made of a silvery synthetic material.

At the very end of the film, Boogalow and his minions all appear to try and arrest Bibi and Alphie - Boogalow is just in a black leather coat, whereas Shake is in a silver and black suit patterned almost like snakeskin. Most of Boogalow's other helpers are in a variety of silver suits and facepaint, with Pandi wearing a silver headscarf with her suit. Also of note are the triangular lens glasses worn by Boogalow's lawyers and the police chief, as well as the leather outfits worn by Boogalow's bodyguards Bulldog and Fatdog.

And on a final note for this first proper post, if these costume designers looked up your alley then do yourself a favor and listen to the film's soundtrack too - altogether now: DO THE BIM!

Star Trek V: The Final Frontier (1989)

Costume Design by:

- Nilo Rodis-Jamero ( notable efforts: Return of the Jedi (1983) - most of Rodis-Jamero's career was in visual effects and production design)

The much maligned fifth entry of the Star Trek film series, The Final Frontier involved the crew of the Enterprise having to rescue a group of ambassadors by the religious cultist Sybok (Laurence Luckenbill) on the backwater planet Nimbus III. The costume designer (as well as art director), Nilo Rodis-Jamero, was a newcomer, but his costumes for this film would be following the design sense that Robert Fletcher established in the previous four movies. This can be seen clearly with the outfit worn by Spock when on holiday with Kirk, as Spock wears his traditional Vulcan attire under the more conventional jacket. The jacket feels slightly contemporary, but is is distinguished by the bright green padding. The troushers also have bright green suspenders, with red markings at the ends of the legs.

Kirk's outfit also feels rather contemporary, consisting of a blue jumper with a panel of ridged orange material around the neck giving a slightly futuristic feeling. The trousers also have green streaks at their ends too.

One of the most notable outfits in this film in my opinion is the one worn by the captive Earth ambassador Talbot (David Warner), who is clad in a white jacket (appearing beige in the auction photos thanks to aging) adorned with green lining on the sides, that is worn over a wraparound grey shirt and green-lined white vest.

The Romulans' ambassador, Caithlin Dar (Cynthia Gouw), is clad in a flowing silver dress, with a purple sash trailing down from the waist, and worn with a black belt, with a golden necklace that is actually trailing from a golden headpiece, the bands trailing down from her ears.

The Klingons are still unchanged from Robert Fletcher's original designs first seen in The Motion Picture, with one of their number, Klaa (Todd Bryant) only distinguished by not wearing any furred underclothes with his armor, not really worth including here. The Klingon ambassador, Korrd (Charles Cooper) wears the same officers uniform that Kruge wore in The Search for Spock, but is distinguished by wearing a large coat of grey and black lined fabric, adorned with several medals. This coat would make several reapparances in The Next Generation and Deep Space Nine, worn by other Klingon leaders.

One notable member of the Klingon taskforce commanded by Klaa is his lieutenant Vixis (Spice Williams), who is in a more form-fitting version of the Klingon armor with a modified collar, as well as no fur sleeves.

We seen some Vulcans again, only this time in a flashback sequence Spock endures thanks to Sybok, but we only see a brief appearance from a younger Sarek (Jonathan Simpson) - both of their outfits are barely visible in the film itself thanks to a combination of dark lighting and close-ups, but this particular Vulcan robe (supposedly designed by Robert Fletcher for The Search for Spock) on the YourProps website bears more than a resemblance to the outfit worn by Sarek here - perhaps, this was originally a background robe for that film's Vulcan sequence, and was briefly reused here?

Lastly is the the deluded Sybok, who for most of the film wears a gown that also looks rather similar in design to the ceremonial gown Spock wore in The Motion Picture's Vulcan ritual scene, though Sybok's has a triangular design motif, with various coloured stones adorning it in a pattern, giving him the feeling of being an alien prophet...which, in a way, he is.